• Our production-proven, advanced scalable technology, enables the efficient creation and repurposing of content for multiple platforms, facilitating extensive branding and franchise creation.
• Our innovative workflow transforms the production process and enhances the creative process while mitigating execution risk.
•We maintain a large, addressable market by focusing on highly-commercial entertainment content with strong global appeal.
•Our capital-efficient business model limits downside risk while providing significant upside potential.This helps us retain ownership to build on our valuable portfolio of revenue-generating assets.
You're only as good as the people you surround yourself with.
With an endless stream of hits to his credit, we should call him the exterminator.
A fiendish brilliance that can topple governments - or just make it look that way.
A ferocious talent that she is liable to whack you upside the head with.
Easily the best graphic designer that Her Majesty has to offer.
The forward-facing social conscience of this otherwise unruly herd of nerds
Academy Award-nominated Producer, Creative Futurist and widely recognized thought leader specializing in volumetric immersive media, Peter has directed numerous
high-profile virtual projects, including Justin Timberlake's immersive experience for the Holodome.
As an early pioneer in VR, Ari has directed and produced for Here Be Dragons, Google, GE, Intel True VR, DiscoveryVR, as well as, serving as Director on the award-winning,
The Last Goodbye, the first-ever Holocaust survivor testimony in room-scale VR for the Shoah Foundation.
Widely regarded as the leading innovator of both live and interactive holographic technologies, Joel and his team consistently create images of extraordinary
fidelity that push the limits of visual reality. Well-Versed in both fixed display and large-scale event holography, Joel's innovative approach is unmatched in its design performance.
As Principal Visual Effects Supervisor of the Walking With Dinosaurs motion picture, and CTO of the production company, it was Scott's job to not only build a
technologically promotable media package that echoed the qualitative sensibilities of the BBC brand, but we also needed to develop brand extensions that
would maximize the movie's success and guarantee enduring revenues.
BBC had suggested that we simply refurbish their old, pre-existing show, but after closer inspection it was mutually agreed that we needed to scrap the original and start from scratch.
We used the industry-leading Pixelmonger Smart-Stage that combines game engine-based scene generators with Augmented Reality underlays to generate real-time programming for broadcast and web applications.
The Walking With Dinosaurs Photo Adventure app was the first globally-branded AR app in the world. The press and word of mouth that it
generated helped us raise over $85 million dollars to make the Walking With Dinosaurs 3D motion picture. Although Scott wrote this app back in 2011,
it is still being downloaded and enjoyed today.
With several high-profile console games to our credit, Sony Playstation was the perfect fit for our immersive AR WonderBook experience.
Designed for kids, it could be played in both passive Augmented Reality by just sitting in front of a television with the WonderBook,
or in full VR using the Sony Playstation headset.
#1 on the most wanted list for game companies and studios alike.
If AI does indeed bring an end to humanity, this man will be to blame.
He writes code like he's writing a note to his dear ol' mother.